That Funkyard Roar

{solo dry 1970s

drum break, dampened snare,

clean

room mic} {at 8000ms add heavy distorted slap bass line,

aggressive grit}

{full

rhythm section

enters} {percussive Hohner Clavinet D6 groove} {staccato 3-piece brass stabs,

syncopated rhythm rising in intensity} {stabs lead into violin entry} {raw percussive

blues piano solo taking

the lead} {grace-note

slides, rolling

minor-pentatonic trills} {Clavinet plays minimal lower-register staccato chords}

{tight locked bass-and-drum pocket} {SUDDEN TRANSITION}

{all horns and lead instruments drop

out} {minimalist bass-and-snare pocket} {subtle woodblock percussion pattern} {soulful soaring electric violin

solo with wah-pedal modulation} {rapid-fire virtuosic bowing} {Clavinet

plays

half-time chords, sparse

backbeat} {no full-band groove} {re-introduce horns

in a rising swell of dissonant long notes} {drums switch

to aggressive open-hat sixteenth notes} {building intense pressure} {gritty amplified harmonica solo,

heavy tube-amp

distortion} {high-velocity and aggressive blues playing} {violin and horns drop to 20

percent

volume in background} {no fade out} {at 8000ms all instruments play a

final heavy staccato hit on the one} {natural analogue tape hiss decay

until end}