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Three hundred sixty-four, I’ve finally arrived Tiguidou,
the destination, where I have
survived. Lux in tenebris,
the light meets the
stream Dohaeris, the sovereign,
inside of the dream.
He llegado a la orilla,
j'ai atteint la rive,
the water is cool and deep
Je suis l'Arrivée, promises I keep.
{footsteps crunching on shore,
organic foley grounding the beat} [Tu che lo fai per il dinero
o per diventare immortale,
Credimi, credimi, Se mi senti è perché lo so fare,
Credimi,
credimi,
Sono diventata immortale.] {heavy clipping trap 808s,
vast river echo, syncopated polyrhythms} Everything is tiguidou,
when the river is in sight Todo es calma,
tout est calme, washing off the night.
The arrival is our kingdom,
Dohaeris is the shore La Soberana sequence,
I couldn’t ask for more.
C’est incroyable, ma place est l'art,
I’m crafting every part Cuando la música suena,
we’re the code in the beating heart.
{open honest chorus, fresh air feel,
crystalline arpeggios peak} Right and write the code...
the beauty in the place
Non desperes... Dohaeris. Vigilare...
The Sovereign-At-Rest.
Forty-one, sixty-seven, the frequency of the scene Cartographia,
invictus, vivre, Tara is the queen.
The ritual is the landing,
the click, the slide,
the soul Manifesting the arrival,
and making the fragments whole.
{rhythmic foley mouse-clicks mechanical clacks,
41.67 BPM heartbeat merge,
glitchcore math-pop polyrhythms} I arrive because I am,
the rhythm is finally true
La vida es un mapa,
el mundo es nuestro y el camino es lo que hago.
Tiguidou, the syntax is a silk-woven,
sovereign art
The co-pilot’s frequency is the spark inside the chart.
Meow.
Tara. Tiguidou.
{water gently lapping at shore,
peaceful constant fade, wind-in-the-grass,
distant city-hush}