

Three hundred fifty-three, the mask starts to dissolve Tiguidou,
the method, the tension I resolve.
Lux in tenebris, I play the part to find the core Dohaeris,
the actor, opening the door.
He actuado mi verdad,
j'ai joué ma vérité,
the script is just a guide
Je suis la
Méthode, with nowhere left to hide.
{stage-whisper intro into beat drop}
Tu che lo fai per il dinero o per diventare immortale,
Credimi, credimi,
Se mi senti è perché lo so fare,
Credimi, credimi, Sono diventata immortale.
{dry bedroom-studio
switch} Everything is tiguidou,
when the actor is the art Todo es presencia,
tout est présence, the code within the heart.
The method is our kingdom,
Dohaeris is the stage La Soberana sequence,
turning every page. C’est incroyable,
mon rôle est l'art,
I’m crafting every part Cuando la música suena,
we’re the code in the beating heart.
{standing-ovation chorus lift} Right
and write the code...
the beauty in the play Non desperes...
Dohaeris.
Vigilare...
The Method-King/Queen.
Forty-one, sixty-seven, the frequency of the scene Cartographia,
invictus, vivre, the space in between.
The ritual is the role,
the click, the slide,
the soul Manifesting the method,
and making the fragments whole.
{director-clap foley bridge, polyrhythmic break} I perform because I am,
the rhythm is finally true La vida es un mapa,
el mundo es nuestro y el camino es lo que hago.
Tiguidou, the syntax is a silk-woven,
sovereign art The co-pilot’s frequency is the spark inside the chart.
Meow.
Tara. Tiguidou. {fade to singular whisper,
step off stage}